625. Ode on a Grecian Urn
John Keats
THOU still unravish'd bride of quietness,
Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape 5
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy? 10
Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave 15
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair! 20
Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearièd,
For ever piping songs for ever new;
More happy love! more happy, happy love! 25
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue. 30
Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore, 35
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul, to tell
Why thou art desolate, can e'er return. 40
O Attic shape! fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form! dost tease us out of thought
As doth eternity: Cold Pastoral! 45
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
'Beauty is truth, truth beauty,—that is all
Ye know on earth, and all ye need to know.' 50
I'm kind of a nut about art. I nearly majored in art history in college, but the studio requirement kept me from doing that (i.e. I have no artistic talent!). I also like poetry. I was perusing some poetry books yesterday while organizing my closet (I am easily distracted) and came across this poem I used to love when I was in college. I know the language is kind of difficult to read, but I think it's beautiful. The poem is about a depiction on a Grecian urn of lovers right before they are about to kiss.
The lovers are frozen in a perpetual state of excitement, anticipation, and new love. How wonderful! (
Bold Lover, never, never canst thou kiss, / Though winning near the goal—yet, do not grieve; / She cannot fade, though thou hast not thy bliss, / For ever wilt thou love, and she be fair! ) At first glance, it seems attractive—never fighting, no chance of boredom, no fear of commitment—just the passionate anticipation of their kiss.
But, as Keats suggests by the end, being frozen in the anticipation is sorrowful. The lovers never get to taste the kiss, experience the passion, build a relationship, start a family. (
All breathing human passion far above, / That leaves a heart high-sorrowful and cloy'd, / A burning forehead, and a parching tongue.)
So, while the lovers never have to experience the pains of love, they also never get to experience the real ecstasy of love or real intimacy.
I liken this to my love for the “get to know you” phase with men, but my fear of anything beyond that might get painful or messy or really super complicated. But, if I stay there—in that frozen state of anticipation—I’ll miss out on real, passionate intimacy and love.
And just to reiterate, I LOVE then last few lines:
'Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.' Beautiful.